Silvano bozzolini biography of christopher kennedy

Silvano bozzolini biography of christopher kennedy: Silvano Bozzolini. Background (Hintergrund).

The encounter and friendship with the Tuscan painter Alberto Magnelli were important for Bozzolini, especially for the development of his artistic style, which, oriented towards geometric abstraction, increasingly emerged — also thanks to wood-engraving, a technique he adopted around His anxious experimentation is to be read in this spirit, his search, for example, in xylography, for a construction structure for work which conserves the compact nature and rigour of painting material while allowing the background to be dilated to the extent of weakening the contours encompassed by uncertain line vibration.

La nostra newsletter. As Bozzolini himself recounted, his non-figurative art originated from his desire to paint another reality that is not the visible one, but rather the one that surrounds us that we can neither see nor touch: the air, in which there is life — and it is this void that allows us to live. Esponi le tue opere in una Mostra Online.

Together with Ferdinando [Vinicio? Over the course of his long career he exhibited in solo or collective exhibitions in the largest European and American cities. Pittura-scultura, Palazzo Strozzi, Firenze. He started to take an interest in painting in , when he decided to move to Milan to study at the Accademia di Brera. Due anni dopo, nel esce Bozzolini.

Vannucchi Salve, in genere rispondiamo entro un giorno. Realizzazione grafica web WWS Snc. With a glance at the greats of Abstract art, Bozzolini soon developed his own vast and complex personal themes supported by a profoundly spatial but also linguistic style. I nostri canali:. Bref, pendant quinze jours, nous n'avons fait que cavaler, cavaler, partout.

The structure of his work is, at the same time, physical and spiritual. Bozzolini fu a lungo attivo a Parigi, dove ebbe modo di esporre con i principali protagonisti della scena artistica. Legni incisi , con testo di Franco Russoli, una cartella con tiraggi di legni a mano pubblicata in occasione della mostra personale Legni incisi nei locali della Galleria Cavour di Milano, in collaborazione con la Galerie George Bongers di Parigi.

Silvano Bozzolini. Thanks to this, I was able to definitively find the right way for me; this technique confirmed one of the fundamental elements of creativity that always lies in its physical and artisanal reality. The following year, Bozzolini had a solo exhibition on the premises of La porta, with a critical essay by Antony de Witt. Opere di Silvano Bozzolini 1.

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Siamo in linea Benvenuto nella nostra live chat inserisci i tuoi dettagli e iniziamo a conversare d'arte. Nel si ricorda la partecipazione alla V Biennale della xilografia a Carpi, in occasione della quale viene reso omaggio al suo lavoro e a quello di Luigi Servolini. At the same time he consolidated his Milanese relationships with MAC in particular who organised his first solo exhibition at Galleria Salto.

He began to slim down some of his forms to such an extent that they became mere lines, others were only indicated by their outlines; in a harmony of pure geometry and colour, Bozzolini skilfully sought to reconcile intuition with reason, as he wrote on the occasion of his solo exhibition at the Galleria dei Mille in Bergamo in I would like to explain how, in painting, an action or feelings can be expressed by an artist who is by his nature detached, as I personally regard myself: first I receive and listen to certain inner vibrations that permit me to feel the need to immediately fix the emotion on the paper, canvas, wood or other material; later on I will not have the same urgent intuitive power.

Three years later, as the result of a serious illness, Bozzolini decided to return to Italy and live in Poggibonsi, where he died on 11 February In this period Bozzolini was also in contact with a number of artists associated with the Galleria Pagani, especially with Enrico Castellani. Two years later, in , a portfolio of wood-engravings entitled Bozzolini.

Its manifesto was signed not only by Bozzolini and Berto Lardera, who lived in Paris, but also by Piero Dorazio; as mentioned above, Bozzolini was the contact for the Italian artists. In December and January he staged his first solo exhibition at the Casa degli italiani in Sofia.